The controversy currently surrounding national literatures in foreign languages can be summed up by the famous statement: “to be or not to be, that is the question.”* But how is one to be oneself without having been that other whom one cannot deny (in the Marxist sense) since one sings as one grows? How, whatever effort one makes to deny one's father, can one fail to be presently what one is by separating oneself from the story of one's own birth or from the birth of one's own story?